Te Kete Ipurangi Navigation:

Te Kete Ipurangi
Communities
Schools

Te Kete Ipurangi user options:



Literacy Online. Every child literate - a shared responsibility.
Ministry of Education.

Advanced search


References and acknowledgements

See a list of useful references and acknowledgements for photographs and texts used in the student worksheets.

Useful references

  • Collins Cobuild English Language Dictionary. Collins: London
  • Collins Cobuild English Grammar. Collins: London
  • Derewianka, Beverley. 2001. A Grammar Companion. PETA: Australia.
  • Gibbons, Pauline. 2002. Scaffolding Language, Scaffolding Learning. Heinemann: Portsmouth, NH.
  • Knapp, Peter and Watkins, Megan. 1994. Context - Text - Grammar. Text Productions: Australia.

More help for ESOL and curriculum teachers is available on ESOL Online.

Contact your local ESOL advisor at your nearest Faculty/College of Education for help in using these resources and suggestions about other suitable publications.

Hard copies of this resource (teacher guides, student workbooks and CDs) are available from Down the Back of the Chair, phone 0800 660 662, item numbers 31563 and 31564.

Acknowledgements

Originally published in 2002–2003 for the Ministry of Education by The Correspondence School, Private Bag 39992, Wellington, New Zealand, and reprinted in 2006 for the Ministry of Education by Learning Media Limited, PO Box 3293, Wellington, New Zealand.

Written by Mary Busch and Gerry McGlinchy. Design by Jessica O’Brien. Illustrated by Katherine Allan and Trevor Plaisted.

Text and illustrations © Crown 2002, 2003. All rights reserved.

Animals

  • Photos: Black sheep with twin lambs; Cow with calf; Slug on grass and leaves; Snail on grass and leaves; all © Dave Jackson, Wellington, NZ: The Correspondence School. Used by permission.
  • Photos: Series from ‘The First Weeks in the Life of a Gull’, photos and text by David and Katie Urry, first published in the School Journal, Part 1, No 6, 1979 by School Publications Division of the Ministry of Education. Crown © 1979.
  • Photos: Pacific oyster; Two green mussel shells (adapted); One paua shell; all from New Zealand Commercial Fish Species poster, Wellington, NZ: NZ Seafood Industry Council. Used by permission.
  • Photos: Mother and baby dolphins in Tokyo aquarium, © REUTERS 1999; Lion cubs with parents in Swiss zoo, © REUTERS 2001; Hedgehog at the Natural History Museum, London, © REUTERS 1998. Used by permission.
  • Photos: Monarch butterfly on flower; Caterpillar and nearly mature pupa; both from www.math.auckland.ac.nz/~hafner/monarch/index.html, 24 April 2002, © Paul Hafner 2002. Used by permission
  • ‘The Putaputaweta Song’ by Rae Nicholls, first published in the School Journal, Part 1, No 2 (page 20) by School Publications Division of the Ministry of Education. © Rae Nicholls 1986. Song recorded on CD by TCS. Used by permission.

Shapes

  • Signs: Stop sign (adapted); Cycle lane sign; Give way sign (adapted); No stopping 4 km sign; Bus stop sign; Motorway ends sign (adapted); Speed restriction 100 km sign (adapted); Traffic lights (adapted); Tawa use left lane sign (adapted); No parking 8am–6pm sign (adapted); all from The Official New Zealand Road Code and Licence Guide for Car Drivers - Second Edition 2000, Wellington, NZ: Land Transport Safety Authority, 1999.
  • Mosaic tile of a suburban scene, by Tawa Intermediate School, was first published in the School Journal, Part 4, Number 1, 1993, by Learning Media on behalf of the Ministry of Education. © Crown, 1993. Used by permission.
  • Photos: Tivaevae manu; Tivaevae tataura; both by John Daley, from Tivaevae: Portraits of Cook Islands Quilting, by Lynnsay Rongokea, Wellington, NZ: Daphne Brasell Associates Press, 1992.

Plants

  • Story: ‘Seeds’, by K.E. Anderson, first published in Connected, No.1, 1999, by Learning Media for the Ministry of Education. © Karen Anderson 1999. Used by permission.
  • Photos: showing palm trees with coconuts, first published in the School Journal, Part 2, No.2, 1978 by Learning Media for the Department of Education. Used by permission.
  • Story: ‘The Thousand Uses of Bamboo’, by Eva Wong Ng, first published in the School Journal series by Learning Media for the Ministry of Education. Crown © copyright 1991. Recorded onto tape by TCS.
  • Photos: showing different uses of bamboo, from ‘The Thousand Uses of Bamboo’ by Eva Wong NG, first published in the School Journal series by Learning Media for the Ministry of Education. Crown © copyright 1991. Used by permission.
  • Photos: Onions; Lettuces; Peppers; Mushrooms; Corn; Kumara; Radishes; Leeks; Celery; Beets; Carrots; Tomatoes; Cabbages; Peas; Broccoli; Pumpkins; Sprouts; Yams. All from Vegfed cards ‘Vegies for little children’ kit, Wellington, NZ: NZ Vegetable & Potato Growers Fed. Inc. Used by permission.
  • Photo: Waterlily, © Mary Busch, Wellington, NZ: The Correspondence School, 2002. Used by permission.
  • Photo series: Six photos of blossoms, © Mary Busch, Wellington, NZ: The Correspondence School, 2002. Used by permission.

Measurement

  • Photo: Kendra measuring her horse, Wellington, NZ: The Correspondence School, 1999. Courtesy of Bev Calvert and Kendra Haigh. Used by permission.

Weather

  • Photos: Greytown; Wairaki; all © Trevor Cobeldick, Wellington, NZ: The Correspondence School, 2002. Used by permission.
  • Extracts: ‘Looking more like stalks of corn than poplars…’, from Evening Post, 2 July 1982; ‘A heavy layer of snow reached down into the foothills…’, from Evening Post, 20 July 1966; ‘Mount Victoria is one of the few spots…’
  • Photos: Snow-covered poplars; Sheep in front of mountains; Man with umbrella; Teenagers jumping off river bank; Person in anorak; Fog over harbour. Used by permission.
  • Photo: Hail on street during a severe thunderstorm. From National Oceanic & Atmospheric Administration Photo Library, NOAA Central Library; OAR/ERL National Severe Storms Laboratory (NSSL). Public domain.
  • Photo: Spider’s web with dew. US Fish and Wildlife Service. Public domain.
  • Photo: Lightning. From National Oceanic & Atmospheric Administration Photo Library, NOAA Central Library; OAR/ERL National Severe Storms Laboratory (NSSL). Public domain.
  • Photo: Kawerau River; © Judi Caradus, Wellington, NZ: The Correspondence School, 2002. Used by permission.

Conservation

  • Picture: Earth covered by towel showing greenhouse gases. In Climate Change,
     published by the New Zealand Climate Change Programme Wellington, New Zealand.
     Used by permission.
  • Extract: ‘Global Warming - A New Battle for Kiribati’, text and photographs © Jill MacGregor, first published in School Journal, Part 4 No.1, 2002 by Learning Media for the Ministry of Education. Recorded by The Correspondence School 2002. Used by permission.

Teasing the lion: Unit Standard 2986 - Version 6

This unit is based on the Choices text Teasing the Lion, published by Learning Media.

Writers: Gillian Hull (Nelson College for Girls) and Mary James (Timaru Girls' High School) at a Teacher Support Services workshop at Christchurch College of Education (CCE) in November 2003. Revised by the ESOL Advisers CCE in September 2005 to meet the performance criteria of Version 6.

NCEA Level Duration
 2  1 period

 

Unit Standard Being Assessed Performance Criteria
US 2986, Version 6
Begin to read independently texts to gain knowledge, using ESOL

 

1.1  The topic of each text is identified and the content predicted from key words, layout, illustrations, and diagrams.
1.2  Main point(s) and supporting detail in each text are identified and understanding demonstrated.
1.3

Understanding is demonstrated of essential vocabulary within each text.

 Range: at least ten vocabulary items – meaning, grammatical form.

Learning task 6

Visual Art Learning Intentions:

We are learning to

  • identify the symbols artists use in their artwork and what they mean.

We will know we can do this when we can:

  • name the symbols artists use in their artwork and explain what the symbols could mean.

Language Learning Intentions:

We are learning to:

  • compare and contrast
  • express an opinion and justify it.

We will know we can do this when we can:

  • use "and" and "but"
  • use "I prefer… because…"

 

Reflecting on Home Learning:

Ask the students to share with a buddy the definitions that they wrote for their home learning after learning task 3.

Introduce the terms "compare" and "contrast" and discuss/ explain what each means (similarities and differences).

Share the learning intentions.

Equipment & Resources Needed:

Step 1:

Introduce two artworks, one by Michel Tuffery and one by Fatu Feu’u. Explain the task is to compare and contrast symbols used by the artists and record their ideas using a Venn diagram. Model comparing and contrasting using speaking frames and record ideas on an enlarged Venn diagram.

For example:
"Michel Tuffery, uses symbols such as the pili (lizard)."
"Fatu Feu’u, uses symbols such as masks."

Step 2:

The students work with a buddy to view and discuss both artworks and record their ideas on the Venn diagram (encourage and reinforce the use of speaking frames).

Step 3:

The teacher models the sentence forms for compare and contrast and then the students share their Venn diagrams with another group.

For example:
Contrast: "Fatu Feu’u uses symbols such as birds, but Michel Tuffery uses pilis (lizards)."
Compare: "Michel Tuffery uses symbols such as the four petalled flowers, and Fatu Feu’u also uses the four petalled flowers."

Step 4:

Drawing on what they have learned so far, the students fill in the "Artist Information" pages in their art journal (Word 70KB) . They include which symbols each artist uses and reflect on their learning and also show preference for which artist (Michel Tuffery or Fatu Feu’u) they prefer and the reasons why.

Sentence:
I prefer… artwork because…

Extra Activity: Siapo Symbols Matching

Students who finish their reflections can complete the Siapo Symbols (Word 232KB) matching activity. The students match traditional siapo symbols and the word card (English and Samoan). 

What a character

TEACHER Anne Girven, Gillian Bertram

 

 YEAR

 LEVEL

 DURATION

5-8 3 3-6 weeks

 

Achievement Objective Being Assessed

Learning Outcomes

Poetic Writing  Write a character sketch, shaping, editing and reworking the text, and using vocabulary and conventions such as spelling and sentence structure.

Processes

 Exploring Language Explore characters created by authors and identify personality traits. Apply these ideas to their own characters using language skills identified to convey these traits.
 Thinking Critically  Draw on personal experiences and knowledge to describe a character.

Supporting Achievement Objective

Learning Outcomes

 Close Reading  Discuss language, meanings, and ideas in a range of texts, relating their understanding to personal experiences and other texts.
 Interpersonal Listening Listen to and interact with others to clarify understanding of narrative, information, ideas and opinions, and to contribute to discussion in one-to-one, small group and class discussion.
 Interpersonal Speaking Talk clearly in small and large groups about experiences, events, and ideas, organising material effectively and attending to others' responses.

 

Introduction

The character sketch is a component of a story. These sketches may be developed in a variety of ways but should be linked to the reading programme. It is within the close reading programme that students gain understanding of the models for writing character sketches. Use shared or guided reading for identification and use of the features of a character sketch. This unit explores ways in which students will be able to create characters. It is important that teachers develop a programme to suit the needs and abilities of their students. Teachers will need to modify some of the teaching and learning activities. Teacher modelling, student participation and involvement in the process, is essential.

TEACHING AND LEARNING ACTIVITIES

 Select and adapt these learning activities to best meet the needs of your students, and to fit the time available:

Learning task 1

Learning task 2

ASSESSMENT

Part One Assessment Task

  • Students discuss their characters with a partner and orally "set the scene".
  • Students plan and write the events that take place when their characters meet/interact.
  • Students in small groups read and share their writing. Encourage constructive feedback.

Part Two Assessment Task

 Use the framework outlined above to motivate students to write a character sketch of one of the characters from another shared story.

National Exemplar Project: Introduction to Character Writing

assessment(3) (RTF 93KB)

RESOURCES

Electronic

Assessment Resource Bank
Students use evidence in a text to make inferences about a character's feelings.

Assessment Resource Bank

Earth under pressure

Learning Outcomes | Teaching and Learning | Assessment and Evaluation | Printing Version

Writer: Megan Nelson-Latu
Year level 10
Suggested duration 8 - 10 weeks
Send feedback about this resource  
Who are my learners and what do they already know? Diagnostic testing can be conducted at the start of the unit to identify what students already know and areas that require development. Diagnostic testing may include asTTLe, PAT or topic based assessments. Resources from the ARB can also be valuable for this purpose, for example a task on finding information at levels 4/5. Using diagnostic testing will give the teacher a good idea of the skill level of the students within the class. Diagnostic testing should relate not only to the students literacy ability but also to their knowledge of the topic being studied. Using the data available identify specific areas on which to focus. For example ‘Finding information’.
School Curriculum Outcomes This unit develops the values and Te Kawa o Te Ako from the school’s current strategic plan, in particular the value of respect for self, others and the environment. Kaitiakitanga, the obligation to protect and nurture all living things is particularly relevant and is developed through the study of issues facing the earth and its inhabitants today and how we can create a sustainable environment. Through learning about the environment and why we must look after it students develop a greater awareness of these values and the values that they themselves place importance on.

Learning Outcomes

 (What do my students need to learn)

1-2 related professional readings or links to relevant research  
A useful article
Social Studies Level 4/5

AO L4: Understand how exploration and innovation create opportunities and challenges for people, places, and environments

AO L5: Understand how people’s management of resources impacts on environmental and social sustainability.

Specific Learning Outcomes:

  1. Describe factors putting pressure on the environment
  2. Explain the consequences of pressure on the environment
  3. Understand different points of view on an environmental issue
English Level 4/5

Purposes and audiences

  • Show an increasing understanding of how texts are shaped for different purposes and audiences.
  • Integrate sources of information, processes, and strategies purposefully and confidently to identify, form, and express increasingly sophisticated ideas.
Science

Earth and beyond: Interacting systems

Investigate the water cycle and its effect on climate, landforms, and life.

Literacy learning outcomes

Students will:

  • use their writing to explain concepts, processes, phenomena, theories, principles, beliefs, and opinions (their own and other people’s) that are relevant to the curriculum task.
  • use language, text structures, and media that are appropriate for their purpose.
  • Use key vocabulary in oral and written responses.
  •  find, select, and use a range of texts for specific learning purposes in different areas of the curriculum, making decisions, as they read, about the usefulness of the text for the purpose.

Teaching and Learning

 (What do I need to know and do?)

1-2 related professional readings or links to relevant research
  • Using teaching as inquiry to improve student outcomes; Claire Amos, What New Curriculum? English in Aotearoa, Issue 71, July 2010
  •  Literacy teaching and learning in the 21st century, Bridging the theory to practice gap; Sue McDowall, SET, Research information for teachers, No. 2, 2010
  • Possibilities for summative assessment in Social Studies; Bronwyn E. Wood & Andrea Milligan, SET, Research information for teachers, No. 2, 2010
Learning task 1
Learning task 2
Learning task 3
Learning task 4
Annotated exemplar 1
Annotated exemplar 2

Assessment and Evaluation

 (What is the impact of my teaching and learning?)

Literacy learning Outcomes:

Students will:

  • use their writing to explain concepts, processes, phenomena, theories, principles, beliefs, and opinions (their own and other people’s) that are relevant to the curriculum task
  •  use language, text structures, and media that are appropriate for their purpose
  • Use key vocabulary in oral and written responses

Social Studies Outcomes:

  • Describe factors putting pressure on the environment
  • Explain the consequences of pressure on the environment
  • Understand different points of view on an environmental issue

Within this unit there are numerous opportunities for formative assessment. The final assignment along with the essay should be used for summative assessment and reporting on. This can be assessed for botht the literacy and specific Social Studies learning outcomes.

It is important that teachers use formative assessment to inform teaching practice.

Effective formative assessment should be used to inform the learning and teaching process. Teachers should be using formative assessment to guide the next steps in a teaching and learning sequence and to assess where students’ are achieving.

https://arbs.nzcer.org.nz/arbs-and-assessment-learning

Written feedback should be provided to students for the essay tasks (both in the Population study and individual inquiry) in order for them to identify the next steps and what they have done well.

Teachers should be conducting formative assessment by asking themselves the highlighted questions (in blue throughout the unit) each time a strategy is used. Is it working? Are the students actively engaged? Are they progressing as expected? Are students acting on feedback to improve their learning? Do I need to review this strategy and use it again?

Teachers should also be regularly monitoring the students learning logs to identify specific areas of need and to gauge interest.

Students are provided with choice in the selection of :

  • their inquiry topic.
  • their ability to choose the way in which they present their findings.

By giving students choice they are able to choose topics and presentation formats that interest them and utilise their individual strengths. By providing students with an opportunity to present their findings to an audience they develop in confidence and it also provides a meaningful sharing of knowledge.

Self assessment is also crucial through the regular completion of learning logs and also the self assessment matrices attached to both the essays and the inquiry assignment. Self assessment allows the students to critically reflect on their own learning.

ARBs can also be used as diagnostic assessment. For example, if students are already skilled at finding information relevant to the question then less time can be devoted to developing this skill in class and more devoted to another area for development. Diagnostic testing enables teachers to make decisions relating to the specific learning needs of the class.

Provision for identifying next learning steps for students who need:

  • further learning opportunities
  • increased challenge
Students can be provided with numerous opportunities for increased challenge over the course of this unit. Some students may not require the scaffolded essay writing process and instead may choose to write their essay without it. Another opportunity for extension arrives in the inquiry assignment where students may develop their own research questions to answer the overarching question. Students are also able to choose their method of presentation which enables them to build on skills and talents they may have in a particular area.

Tools or ideas which, for example might be used to evaluate:

  • progress of the class and groups within it (including literacy progress)
  •  student engagement
  • leading to :
  • changes to the sequence
  •  addressing teacher learning needs

Learning logs – These enable students to reflect on a regular basis on their own learning and understanding. Teachers are able to use these logs to identify next learning steps, reteaching points or ways in which the teaching and learning process could be modified.

Writing samples can be used to assess where the students are achieving and next learning steps. For example, an essay may show that the students are able to write in paragraphs but that they are unable to link their thoughts and ideas.

Throughout the course of this topic there may be areas which particularly interest students. For example in the ‘Pressure on Living Things” section students may display a desire to learn more about endangered species and the threats they face. This may provide an opportunity for greater learning and progress as it is driven by student interest.

It is important for students to have the opportunity to revisit strategies and ideas that they found interesting or particularly useful. This also enables students to develop a greater understanding of when and where they can use a particular strategy to assist them and in a cross curricular context.

It is important to ask the following questions as found in Using Inquiry to Plan Secondary English Programmes as they are relevant in any subject or curriculum area. They enable the teacher to reflect on the teaching and learning process and ways in which it could be improved/changed to improve student success.

  1. Did your students demonstrate understanding of learning outcomes?
  2. Are there particular groups of students whose needs are not being met?
  3. Which texts/topics/tasks/activities did students engage with?
  4. Did all students complete all assessments?
  5. Were there any issues around absenteeism at any particular point during the programme?
  6. Could this have impacted on learning?
  7. What are the implications for our future planning?

Printing this unit:

If you are not able to access the zipped files, please download the following individual files.

Learning task 5

Language and literacy intention(s)

We are learning to use scientific words explaining the reasons for the movement of shadows

Opportunities for Key competencies development

Thinking
Using Language Symbols & Texts
Relating to Others
Managing Self

Principles and values coherence

High Expectations
Inclusion
Coherence
Learning to Learn
Values
Curiosity
Inquiry
Respect
Innovation

Big Idea – The size, shape and direction of the shadow changes during the day
 
The teacher reviews with the class the concepts, definitions, word banks and experiences explored to date.
 
Students will write an explanation as a result of the investigative activity My Shifting Shadow.

Resources for teacher modelling, scaffolding and student participation in understanding the structure of an explanation can be found at:

MY SHIFTING SHADOW

What you need

  • A sunny spot on an asphalt area that will be exposed to the Sun all day.
  • Some chalk
  • Digital camera

What You Do

Go out at 9 a.m. and with a partner stand in one spot and have your partner trace your shadow.
Repeat this in a different place and trace your partner’s shadow. Measure the length of both shadows.

Repeat this on the hour until 3 p.m.

Take a digital photo of each set of outlines at the end of the day.

Each child can graph their set of shadow lengths.

Why do the shadow lengths change during the day?

What To Look For

That the student understands that it is the relationship of position of the Sun and the angle of the Sun’s rays striking the Earth that causes changes in the shadow.

The position of the Sun changes as the Earth spins.

Opportunities to explore

Could we use this information to tell the time?

What is a sundial?
 
Assessment of learning in this unit

The assessment task for this unit will require the students to apply the scientific concepts and vocabulary used over the series of investigations.

Each student will be required to apply their knowledge to use the Before Before After After framework to sequence the photographs of shadows over the course of a day matching the shadow position and length to times during a day.

Teddy Bear Shadow Template (PDF 1MB)
Teddy Bear Shadow Assessment Teacher Notes (PDF 221KB)

Students will then write an explanation that will require them to explain the movement of shadows in relation to an object over a day. It is expected they will use vocabulary and science specific vocabulary tin their explanation.
 
To confirm their conceptual understanding of the light source’s (the sun’s movement) they will position the sun in relation to each shadow on their poster.

Assessment opportunities by the teacher using the teaching as inquiry framework

Observation of students’ conversations and working in groups

  1. What information about the student’s learning and knowledge have I gained?
  2. What are the implications for my teaching
  3. What are the next learning steps - conceptual understanding, vocabulary, learner needs?

Learning task 2: Making shadows

  1.  
    1. Explain that each student will use chalk to trace the outline of their partner's shadow on the playground.
    2. Remind students to never look directly at the sun, but to concentrate on the shadows.
    3. Have the students in pairs find a place in the sun and make shadows by standing, running, making body shapes, and so on.
      • Begin by outlining the partner's shoes or feet. This is important as the students are going to trace shadows at different times throughout the day.
      • Make sure that every student gets the opportunity to create a shadow. 
  2.   

    When the students have completed the outside tracing, have them draw their partner, their partner's shadow, and the location of the sun.

    Model writing a caption for the shadow tracing. Have the students write a caption for their drawing. 

    NB Throughout the unit take digital photos of the students and shadows to use later for discussion and motivation for writing. Make into a book or a wall story "Our Book Of Shadows". 

  3.  

    1. Two or three hours later (or the next day), after students have completed their first shadow tracings, have the students go outside again to observe their shadows and make a tracing of what they now see.
      • Ask students to predict if their second shadow tracings will be the same or different from the first shadows they drew. Record their predictions.
      • Return to the playground. Have the students reposition themselves in their original places, using their feet or shoe outlines as a guide.
       
    2. Discuss with students what they observed:
      • Did anything change?
      • What looked different?
      • How many shadows changed?
       
    3. Revisit previous predictions. Discuss how many students predicted correctly.
      • What do you think made the shadows?
      • How can you explain that?
      • Did the sun move?
      • Did we move? (Explain to students that shadows move as a result of the Earth's motion.)
       Teacher and students: What else have we learned and need to add to the KWL chart? Have we answered our first questions? Have we any new questions?

    Have students discuss the information they have discovered about their shadows' lengths and other observations on shadows made by the sun at various times during the day. Teacher and students work together to complete a table for this information and then write some concluding sentences. Read and display these in the class. 

  4.   

    1. In the classroom have students observe the sun shining through the windows and look to see where shadows are being made. Ask the students to explain to each other, in pairs, why they think shadows happen.
    2. Students view this animated ARB resource on how shadow length changes as the sun moves into different positions. Teacher and students work together to the answer the questions.

     

    Using different objects encourage students to create, trace, and manipulate shadows.

    Encourage students to question: 

    • How can you "make" a shadow?
    • What is the light source?
    • How is the shadow similar to the object you used to make it? How is it different?
    • How can you change the size of your shadow?
    • How can you change the shape of your shadow?

     




Footer: